Tomasz Pawlicki, Artur Maćkowiak "The Duluoz Legend"

by wet music records

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about

Tomasz Pawlicki - flute, keys, electronics, voice
Artur Maćkowiak - guitar, keys, electronic, voice

String Quartet "Prestige"
Anna Piniuta - violin
Michał Kwaśniak - violoin
Marta Lutrzykowska - viola
Cezary Krysztoforski - cello

and
BBB Johannes Deimling - voice


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"The Duluoz Legend" to współczesne nagrania duetu Tomasz Pawlicki (m.in Extasy Project, Maestro Trytony) i Artur Maćkowiak (m.in. Something Like Elvis, Potty Umbrella), inspirowane dokonaniami Beat Generation z lat 50-tych XX wieku, w szczególności twórczością Jacka Kerouaca. Zarówno tytuł płyty, jak i tytuły poszczególnych utworów są tytułami powieści Kerouaca.

Muzyka na płycie jest efektem swobodnego podejścia do muzyki , dalekiego od schlebiania jakimkolwiek gatunkom muzycznym. Dziewięć nagranych utworów to wynik wspólnych eksperymentów na gitarę, flet i elektronikę, okraszonych udziałem kwartetu smyczkowego oraz głosem jednego z europejskich performerów - BBB Johannesa Deimlinga.

"Ta muzyka to podróż w czasie, gdzie istotą rzeczy jest fakt bycia w drodze, która niekoniecznie wiedzie do jakiegoś celu".

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"The Duluoz Legend" is a contemporary recording created by the duo of Tomasz Pawlicki (Extasy Project, Maestro Trytony) and Artur Maćkowiak (Something Like Elvis, Potty Umbrella), inspired by the achievements of Beat Generation from the fifties of the 20th century, especially by the works of Jack Kerouac.
A title of this record as well as all the titles of the tracks are coming from Jack Kerouac's novels.
The music on this record is the effect of free attitudes to the music in general, far from flattering to any music genre. All the nine tracks came to life as the effect of joint experiment on the guitar, flute and electronics, with participation of string quartet and the voice of one of the European performance artist BBB Johannes Deimling.

"This music is a journey in time where the essential thing is to be on the road that does not necessarily lead to any aim".

credits

released October 17, 2011

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wet music records

Initially Wet Music was used as a definition for music which functions outside those kinds of music which were designed typically for commercial effects and to conquer the music market.
Wet Music was the outcome of intuitive openness to novelty, experiments, innovation and honesty but it also enabled the author to use his own imperfection in creating perfect things.
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